Portland Press Herald Arts Review by Jorge S. Arango, September 20, 2020 Virtual doesn’t suffice. Tina Ingraham’s paintings must be experienced in personBehind the unabashed romanticism of her work lies serious skill and technique. Following is an excerpt from the review. “Exhibition materials quote her as saying, “A look through a viewfinder divides my vision of…
Portland Press Herald Arts Review, September 17, 2017It follows in part… “Art review: Tina Ingraham’s brush with the mortality of natureThe landscape painter’s autumnal palette is on view at Greenhut Galleries in Portland. By Daniel Kany Tina Ingraham’s “Rocks, Trees, Sand & Sea: Popham to Blue Hill” at Greenhut Galleries is an exhibition of handsome…
The Thos. Moser Gallery in Freeport, Maine is pleased to announce its winter 2015 art exhibition, Figures and Landscapes: Tina Ingraham and Kate Emlen. The public is invited to an artists’ opening reception on January 22, 2015 from 6 p.m. to 8 p.m. The group exhibition highlights figures and landscapes from prominent Maine artists. The…
2009“Artists of the Working Waterfront” by Carl Little, Maine Boats Homes & Harbors, May 2009, Issue 104
Maine Sunday Telegram Audience May 20, 2007 “Icon show is pure Fred Lynch” by Philip Isaacson Out of the Ordinary 2007 at Greenhut Galleries Painting Featured: Winter Walk Ingraham Finds Beauty in Bath I was drawn to “Out of the Ordinary” work by Tina Ingraham at Greenhut, by the beauty of her painting and her…
Tina Ingraham painting plein air has been a common sight at the harbor Fish Market since the eighties when she painted the scene in watercolor. “I’ve walked all around Portland. But I always keep coming back here.” When Ingraham, a working artist who resides in Bath, paints the waterfront buildings these days, she’s taken back…
“Pieces of the Whole, Deconstructing Tina Ingraham’s work at Greenhut Galleries“ Chris Thompson, Portland Phoenix, December 5-12 (Download PDF)
Artichoke holdTina Ingraham at Greenhut GalleriesBY CHRIS THOMPSON “Each of us has the power to seize power over one part of oneself,” Luce Giard writes in The Practice of Everyday Life, Volume 2: Living & Cooking. “This is why the gestures, objects, and words that live in the ordinary nature of a simple kitchen also…
“Liebeserklarung an einen italienischen Landshich”“A Declaration of Love to an Italian Landscape” Walking on the crest between comprehensible reality and disintegration of structures, her pictures are abstract and real at the same time. They copy what is there and at the same time what is in one’s imagination. She felt the peace of her soul…