| CURRENT AND PROJECTED WORK | |
| 2010-16 | Dune Evolution: A painted diary en plein air |
| 2013-16 | Circumferance: A 360º Evolution of Popham Beach, Phippsburg, Maine |
| 1999-16 | It’s on the Palette© The Painter’s Handbook: Palettes, Process, Language |
| SOLO AND FEATURED ARTIST EXHIBITIONS | |
| 2015 | Inspirations from Italy Merrill Auditorium Gallery with FOKO, Portland, ME |
| Figures & Landscapes Thos.Moser Gallery, Freeport, ME |
|
| 2009 | Observations Greenhut Galleries, Portland, ME |
| Natura-Naturi-Natur Galerie im Rathaus,Treffpunkt Kunst, Munich, Germany |
|
| 2007 | Out of the Ordinary Greenhut Galleries, Portland, ME |
| 2006 | ’96 ’til Now Roundtop Center for the Arts, Damariscotta, ME |
| 2005 | Facades Greenhut Galleries, Portland, METhe Light of Umbria Galerie im Rathaus, Treffpunkt Kunst, Munich, Germany |
| 2003 | Master Works, Paris, New York, Kent Gallery, Kent, CT |
| 2002 | Begegnungen Galerie im Rathaus, Treffpunkt Kunst, Munich, Germany Incontri, Chiostro San Francesco, Umbertide, Italy Fauvists and Cross-Dressers, Carrie Haddad Gallery, Hudson, NY |
| 2001 | Luminous Moments, Hubert Gallery, New York, NY |
| 2000 | Facades, Galleria ISA, Montecastello di Vibio, Italy |
| 1999 | Tina Ingraham Still Life, Randall Tuttle Fine Arts, Woodbury, CT |
| 1997 | Tina Ingraham Recent Paintings, Randall Tuttle Fine Arts, Woodbury, CT |
| 1996 | Paintings on Muslin, Randall Tuttle Fine Arts, Woodbury, CT |
| Graduate Exhibit, Sixth Floor Gallery, New York, NY | |
| 1994 | Recent Paintings, Houston Tuttle Gallery One, Rockland, ME |
| Lancaster Gallery, Bowdoin College, Brunswick, ME | |
| Recent Paintings, The Gallery at Thomas Moser, Portland, ME | |
| 1993 | Dance Works, Cavalier Gallery, Stamford, CT |
| 1991 | Don Quixote Dance Works, Portland Performing Arts Center, Portland, ME |
| 1998 | Monhegan, Bayview Gallery, Portland, ME |
| REPRESENTING GALLERIES | |
| 2004 – 16 | Greenhut Galleries, Portland, ME greenhutgalleries.me |
| 2011 – 16 | Somerville Manning Gallery, Greenville, DE www.somervillemanning.com |
| Boston Art Inc., Boston, MA bostonartinc.com |
|
| SELECTED GROUP EXHIBITIONS | |
| 2016 | A Continuum of Place Penobscot Marine Museum, Searsport, ME |
| 2016 | Eighth Biennial Portland Show Greenhut Galleries, Portland, ME |
| 5/28-10/16 | A Continuum of Place, Curated by Carl Little The Penobscot Maritime Museum, Searsport, ME |
| 12/5-3/3/17 | Art in the Capitol, A Maine Arts Commission Initiative The Maine State House, Augusta, ME |
| 2015 | A Summer in Maine II Kismet Foundation, Cousins Island, ME |
| 2014 | POP – UP ON & OFF THE WALL
SERIES: 3 First Street Gallery NY, NY |
| 2014 |
Seventh Biennial Portland Show Greenhut Galleries, Portland, ME |
| 2014 | The Painter’s Table & Art, Food and Humanity Warm Springs Gallery, Charlottesville, VA |
| 2012 |
Sixth Biennial Portland Show Greenhut Galleries, Portland, ME |
| 2011 | From The Garden to the Kitchen The George Marshall Store Gallery, York, ME |
| Somerville Manning Gallery, Wilmington, DE |
|
| Morpeth Contemporary, Hopewell, NJ | |
| 2010 | Fifth Biennial Portland Show Greenhut Galleries, Portland, ME |
| 2009 | Above and Below Greenhut Galleries, Portland, ME |
| 2008 | Painters who Teach Greenhut Galleries, Portland, ME |
| 2007 | What’s Cooking Bachlier-Cardonsky, Kent, CT |
| 2006 | Not So Still Life Greenhut Galleries, Portland, ME |
| 2005 | The Still Life Show Center for Maine Contemporary Art, Rockport, ME |
| 2004 | Third Biennial Portland Show Greenhut Galleries, Portland, ME |
| Spring Painting Invitational Neptune Fine Art, New York, NY |
|
| 2003 | Vessels Bachlier-Cardonsky, Kent, CT |
| A Bridge To The Country Kismet Gallery, New York, NY |
|
| 2002 | K 2002, A Shaker Collection, Association of Munich and German Artists Haus der Kunst, Munich, Germany |
| 21st Century Fauvists Carrie Haddad Gallery, Hudson, NY |
|
| 2000 | Eloquent Objects; the Sense and Sensibility of Still-Life Painting Bates College Museum of Art, Bates College, Lewiston, ME |
| Gallery Artists Hubert Gallery, New York,NY |
|
| Faculty Exhibition Galeria ISA, Montecastello di Vibio, Italy |
|
| 1999 | Passages Maine Coast Artists, Rockport, ME |
| Natalie’s Room of Friends Randall Tuttle Fine Arts, Woodbury, CT |
|
| 1998 | NYU 21st Annual Small Works Show Ealan Wingate, juror, Washington Square Gallery East, New York, NY |
| Gallery Artists Hubert Gallery, New York, NY |
|
| 1997 | Object Lessons The Sue and Eugene Mercy, JR. Gallery, New Haven, CT |
| 1996 | Thresholds, Reflections,Transformations The Gallery at Kohn, Pederson, Fox, New York, NY |
| People Portrayed The Gallery at Duracell International Headquarters, Danbury, CT |
|
| Small Works Randall Tuttle Fine Art, Woodbury, CT |
|
| 171st Annual Exhibition National Academy of Design, New York, NY |
|
| Thesis Show Eighth Floor Gallery, New York, NY |
|
| NYU Small Works Show Edward Thorpe, juror, Washington Square Galley East, New York, NY |
|
| 1995 | National Juried Competition Jane Frielicher, juror, Bowery Gallery, New York, NY |
| Barns, Farms, Rivers Paris, New York, Kent Gallery, Kent, CT |
|
| GRANTS, FELLOWSHIPS, AWARDS AND RESIDENCIES | |
| 2015-16 | Project Grant, Maine Commission for the Arts, Augusta, ME |
| 2008 | Honored and Profiled Women Work and Community, a Maine community based non-profit organization |
| 2005 | Artist’s Residency The MacNamara Foundation, Westport Island, ME |
| 2004 | Artist’s Residency The MacNamara Foundation, Westport Island, ME |
| 1999 | The John Simon Guggenheim Fellowship The John Simon Guggenheim Foundation, New York, NY |
| Pollock-Krasner Foundation Grant The Pollock-Krasner Foundation, Inc., New York, NY |
|
| Artist’s Residency Fellowship The MacDowell Colony for the Arts, Peterborough, NH |
|
| 1998 | Artist’s Residency Dorland Mountain Arts Colony, Temecula, CA |
| The Milton and Sally Avery Fellowship The MacDowell Colony for the Arts, Peterborough, NH |
|
| Faculty Research Grant Bowdoin College, Brunswick, ME |
|
| 1996 | Graduate Teaching Fellowship Brooklyn College of CUNY, Brooklyn, NY |
| Charles G. Shaw Memorial Award for Scholarship and Art Brooklyn College of CUNY, Brooklyn, NY |
|
| 1994 | Artist’s Residency Fellowship Vermont Studio Center, Johnson, VT |
| ARTICLES, REVIEWS AND PUBLICATIONS | |
| 2016 | It’s on the Palette©: The Painter’s Handbook: Palettes, Process, Language (In process ext Book) Tina Ingraham Photography, Bernard C. Meyers and Kenneth Woisard |
| 2012 | “Eloquent Observations” by Britta Konau Maine Home and Design, June, 12 |
| 2010 | “The Sustainability of Food and Art” by Melanie Hyatt |
| Photography by Jim Bazin | |
| Maine Food and Lifestyle, Spring Issue (Download PDF of article) | |
| 2009 | “Feast Your Eyes” by Judith Gaines |
| Portland Magazine December 2009 Vol. 24 No. 9 | |
| “Artists of the Working Waterfront” by Carl Little | |
| Maine, Boats, Homes & Harbors, May 2009, Issue 104 |
|
| “Windows of the Harbor” by Susan Salomon (read: will open in new window) | |
| ‘Still Life with Blood Orange’ (pictured) | |
| Port City Life, May/June 2009 |
|
| 2008 | Creating The Future: 30 Stories from the Maine Economy Thirtieth anniversary publication Women, Work, and Community |
| 2007 | “Capturing Beauty” by Nancy English |
| Maine Home and Design, April 2007 “Ingraham Finds Beauty in Bath” by Phillip Isaacson |
|
| Maine Sunday Telegram, Audience, November 20, 2007 | |
| 2006 | “Painting the Town” Portland Monthly Magazine, September vol. 21 No. 6 |
| Paintings of Maine A New Collection Selected By Carl Little Picture Editor Arnold Scholnick Down East Books, Camden Maine, 2006 |
|
| “Pieces of the Whole, Deconstructing Tina Ingraham’s work at Greenhut Galleries” Chris Thompson The Portland Phoenix, December 9-15, 2006 |
|
| 2005 | “Liebeserklarung an einen italienischen Landstrich” Alexandra Leuthner Suddeutscye Zeitung, May 3, 2005 Nr. 101 |
| “Harmonische Farbdramaturgie Tina Gaumer Ingraham (sic) im Treffpunkt Kunst” Manfred Stanka Landkreis Munchen, April 30, 2005 Nr. 99 |
|
| 2004 | “Artichoke hold” Chris Thompson The Portland Phoenix, December 10-16, 2004 |
| 2002 | “Die Transparenz eines Salzstreuers” Rosewitha Grosse Suddeutsche Zeitung, Munich, Germany, October 22, 2002 |
| “Stillleben, die sich gesalzen haben” Bernadette Heimann Munchner Merkur, October 22, 2002, Munich, Germany |
|
| “Fauvists, cross-dressers, Lake George: Three exhibits open in Hudson Gallery” Rosa I. Hallenbeck The Independent, March 1, 2002 |
|
| “Tina Ingraham, internationally acclaimed artist exhibits…..” Holly Kintz Cover: Scene Magazine, Montrose Daily Press |
|
| 1999 | “Mainers Awarded Prize Grants” Portland Press Herald, April 15, 1999 |
| O’Shaughnessy, Tracey Republican American, September, 1999 |
|
| “Atmosphere of Artistry” Ruth Planey The Free Press Enterprise |
|
| 1997 | “This Week in Connecticut” Shakers, pears & tongs (painting reproduced) The New York Times, September, 1997 |
| “Artful Journeys:” Tracey O’Shaughnessy Republican American, September, 1997 |
|
| EDUCATION | |
| 1996 | MFA Painting, Brooklyn College, CUNY, Brooklyn, NY |
| 1970 | BSD University of Cincinnati, College of DAAP, Cincinnati, OH |
| ACADEMIC TEACHING AND MENTORING | |
| 2003-16 | Mentor and Painting Instructor, Tina Ingraham Attelier, Bath, ME It’s on the Palette™, originally researched and developed approach of teaching color theory and painting |
| 2013 | Instructor, Farnsworth Academic Department, Rockport, ME Presentation, Painting En Plein Air, Farnsworth Museum |
| 2005 | Instructor Hyde School, Bath, ME |
| 2000-02 | Instructor International School of Painting Drawing and Sculpture, Todi, Italy |
| 1997-98 | Visiting Assistant Professor Bowdoin College, Brunswick, ME |
| 1996 | Graduate Teaching Instructor Brooklyn College, City University of New York, Brooklyn, NY |
| 1989-94 | Instructor Maine College of Art, Portland, ME |
| 1974-75 | Visiting Assistant Professor Stephens College, Columbia, MO |
| PROFESSIONAL EXPERIENCE | |
| 2016 | Juror “Black, White and Grey” River Arts, Damariscotta, ME |
| 2015 | Juror “Black, White and Tones of Grey” River Arts, Damariscotta, ME |
| 2008-16 | Organize and operate workshops and courses in oil painting and color theory |
| Studio Four, Tina Ingraham Atelier, Bath, ME | |
| 2002-16 | Mentor Mentor professional artists and designers in their studio |
| 1996-16 | Portrait Painter Obtain and paint portrait commissions |
| 1986-16 | Presentations and Commentary Academic institutions, privately oganized workshops and art organizations |
| 2006 | Curator Chocolate Church Arts Center, Bath, ME Exhibition: “Diverging Similarites: Pulling From Still Life” |
